In the early 1980’s Sound Workshop migrated from the Midwest to the West coast where Sound Workshop created a sound similar to the “Wall of Sound” used by Motown Records and the Beatles.

From the experiences in the 60’s, 70’s, and  80’s with Sound Workshop, conceptual ideas were created with a new phenomenon developed by the Sound Workshop studio and engineers.

Working with old analog technology and combining it with new digital advances in sound and enhancement effects, Sound Workshop discovered new forms and techniques of engineering and sound creation.

Appling these new  advances in technology, Sound Workshop merged the traditional classical ambient sounds, with the challenge of the new onslaught of digital sounds by creating them in a live performance environment which is one of the founding ideals of the Sound Workshop.

Sound Workshop's current challenges with R& D have been to provide their format to web streaming to futurists chip sound embedment or fiber light technology.

Due to the onslaught of web sound technology, Sound Workshop has been working with BMI to secure, reproduce and publish sound in a new technical matrix.

Some of the groups the Sound Workshop has been working with are:

Dogs that Fly
2Dac
Mississippi Alligators
The Slugs
Keltic Rock
The Star Harp
The Chalmers Band
Buffalo Jones
The Clinchers
Dave and Deino

Sound Workshop is breaking new legal foundations for developing promotional contracts and performances utilizing web concerts and new distribution of musical content.

Sound Workshop and Gingerwood Arts are putting together distributorships that will create mega networks for the entrepreneurs of the future.